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Claynosaurz’s Big Bet: Asia-First, Global Next
The guy who sold millions of plushies in Japan and got an animated film made is now building Claynosaurz. 🦖
Here’s what it means and why Web3 just got a global IP operator🧵

1/ His name is David Horvath.
You might not know him, but you've probably seen his work.
He co-created Uglydoll, a handmade plushie brand that turned into a global licensing machine:
- 50+ licenses
- Carried in 10,000+ stores
- Animated film grossed $32M
- Millions of units sold worldwide

2/ Horvath just joined Claynosaurz as Head of Brand & Consumer Product Growth, Asia.
Not as an “advisor.”
Not as a collab artist.
But as a core operator the kind who scales IP into retail, media, and cultural relevance.

3/ This is the part most CT projects don’t understand:
- It’s not about cool art.
- It’s not about merch drops.
- It’s about distribution.
And Horvath knows how to go from:
→ Sketchbook
→ Shelf
→ Screen
4/ In fact, he already did it.
Uglydoll wasn’t just a cute toy. It became a multi-format brand:
- Books (via Scholastic)
- Plushies (via Gund)
- TV & Film (via STX & Hulu)
- Global presence (via 16 distributors)
This isn’t theory. It’s playbook.



5/ And now he’s running it back.
But this time with Claynosaurz.
A Web3-native IP.
A community-powered brand.
And a fresh, unmined path to Asia-first retail activation.

30.7.2025
A longtime admirer of both the Claynosaurz brand and the brilliant team behind it, this truly means the world. As Sun-Min takes on more of Uglydoll during a major global shift in character brands, my drive to help Web3 win took over… it’s simply time to go Clayhistorical!

6/ Why Asia matters:
If you can win Japan/Korea. You don’t just go viral.
You become a part of the culture.
Horvath built distribution networks across Japan, Korea, and more.
He knows the specialty toy market cold.
And now he's opening that door for Claynosaurz.
7/ This isn’t just another Web3 IP experiment.
This is a calculated move to break into Asia’s cultural mainstream.
Not through airdrops.
Through products on shelves, strategic collabs, and localized storytelling.
The entry point? Not CT
It’s Tokyo.
8/ Claynosaurz didn’t hire a mascot.
They hired a market maker.
An operator who speaks the language of plushies, licensing, and Saturday morning cartoons.
9/ The shift is happening.
Web3 IP is no longer an idea.
It’s a go-to-market strategy with retail teeth and real-world ambition.
Claynosaurz might just be the first dino to crack Japan. 🦖🇯🇵
And that could change the game for all of us.

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